Raw Photo Processor

It's a raw converter for Mac and supports all digital raw formats.
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Raw Photo Processor Ranking & Summary

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  • Rating:
  • License:
  • Freeware
  • Publisher Name:
  • raw photo processor
  • Publisher web site:
  • Operating Systems:
  • Mac OS X
  • File Size:
  • 7.43MB

Raw Photo Processor Tags


Raw Photo Processor Description

Edit By A Raw converter for Mac OS X (10.4 or 10.5 only), supporting almost all available digital Raw formats made for photographers by a photographer-software engineer with unmeasurable amount of help and tutoring from my friend, professional photographer Iliah Borg. We just got fed up with those converters made by programmers for their upper management :) Also I want to ExPress my special appreciation to Alex Tutubalin (the link is in Russian) for providing this project with web hosting in the early stages when I didn’t have this site! Think of RPP as a development machine in terms of film photography - first you have to develop your roll right, then do whatever you want with it. So this is NOT a full featured photo processing package, you may need Photoshop or some other tool to apply sharpness, cropping and so on. RPP is easy to integrate with other tool though, f.e. it has Adobe Lightroom plugin and can work directly with Photoshop. See “Integration” chapter in “How to use” page. You may use RPP for these carefully chosen operations: •4-channel white Balance - this is probably the most important operation in Raw processing and it has to be applied at very early stages. RPP supports various ways of working with white balance - automatic detection, “as shot” (taken from camera), custom white balance from neutral areas and color tone adjustments on “cold - warm” scale. •Linear and compressed Exposure compensations - another very sensitive step, should use high precision math to preserve shadows and Highlights and it is almost impossible to make it properly during post-processing in Photoshop. Compressed compensation allows to preserve highlights in more film-like style instead of clipping used in traditional linear exposure compensation.


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