RE:Match

RE:Match is a set of plug-ins to match one view of video or film to another so that it looks as if it was shot with the same camera and settings. RE:Match assumes that both image sequences are taken r
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RE:Match Ranking & Summary

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  • Rating:
  • License:
  • Demo
  • Publisher Name:
  • RE:Vision Effects, Inc
  • Publisher web site:
  • http://www.revisionfx.com/
  • Operating Systems:
  • Windows XP / Vista / 7 / 8
  • File Size:
  • 13.3 MB

RE:Match Tags


RE:Match Description

RE:Match takes intuitive color and texture matching to a whole new level RE:Match is a set of plug-ins to match one view of video or film to another so that it looks as if it was shot with the same camera and settings. RE:Match assumes that both image sequences are taken roughly at the same location but perhaps were not shot at the same time or from the same point-of-view. For multicam shoots, or single camera shoots consisting of multiple shots with different lighting or camera settings, RE:Match matches as best it can one sequence's overall color appearance to match that of another. For stereo pairs, RE:Match can further refine the overall color match by taking into account that the two views are captured at the same time with a relatively small distance between the views. In addition, RE:Match is also able to propagate color changes into areas that are present in only one view. RE:Match can also make other details, such as reflections, specular highlights, and lens flares be consistent between the two views. RE:Match contains the plug-in RE:Match Color with the following features: * Ability to globally color correct one sequence to match another. * Ability to set a color correction using a particular point in time of the sequence to match. Up to four still images can be selected and used to control the color correction over time. * Ability to globally color correct individually for each pair of frames in both sequences. * Ability to store the current color correction and use it on other sequences via cut-and-paste of the plug-in to another clip. * Ability to dissolve between two different color corrections over a period of time. * Ability to perform automatic global (whole image) color correction based on a smaller window of pixels for each of the image sequences. * Works well with over bright values and very wide dynamic ranges.


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