Apple Color

Apple's professional color grading application
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Apple Color Ranking & Summary

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  • Rating:
  • License:
  • Updater
  • Price:
  • FREE
  • Publisher Name:
  • Apple
  • Publisher web site:
  • Operating Systems:
  • Mac OS X 10.5.6 or later
  • File Size:
  • 0 KB

Apple Color Tags


Apple Color Description

Apple's professional color grading application Introducing Color, Apple's new professional color grading application. Quickly and easily experiment with primary and secondary color grade adjustments for SD, HD, and even 2K projects. Color lets you preview the results - at any resolution - in real time. When you have just the look you want, render at stunning quality and blazing speeds. Color uses GPU-accelerated processing to produce RGB output in resolutions up to 4:4:4 with 32-bit float processing. Color will help editors to create signature looks for projects ranging from short video pieces to full-length theatrical films.Here are some key features of "Apple Color":· Intuitive Task-Based WorkflowColor uses a task-based workflow that is organized logically into eight "rooms," or workspaces, designed to offer streamlined access to just the tools you need. Start with Primary In for foundational grading, then use any other room in any order until you're ready to render through the Render Queue room.· Accessible ToolsetThe tools in Color extend from a familiar Timeline, color wheels, and standard scopes to an intuitive new 3D Color Space scope. Editors will find it easy to use Color because of their experience with Final Cut Pro.· Dramatic Color EffectsCreate custom mattes to quickly isolate an object or area in the frame for additional enhancements or effects. Automatically track and adjust your changes over subsequent frames with complete control. To apply advanced effects, just drag and drop to choose from more than 35 professional effects and over 20 looks built into Color. Use them alone or combine them in a variety of ways to create completely custom effects. You can expand your library even further by bringing in third-party plug-ins.· Cinema-Quality Signature LooksCreate a signature look for a single production or apply a unified look to a series of productions. Get started fast by choosing one of more than 20 looks provided as custom effects in the Color FX Bin, then modify the look and save it for later use. You can also save a color grade, complete with primary and secondary adjustments, and reuse it on other projects. Experiment freely with up to four "live" grades at a time and save the ones you like best. You can even import and use grades created by professional colorists or other editors.· Final Cut Studio WorkflowsEasily send a project round-trip between Final Cut Pro and Color. Video layers, effects, titles, and all of the other XML metadata from Final Cut Pro are preserved when you return to Final Cut Pro for finishing and final output. You can even use Final Cut Pro and Color together for Digital Intermediate workflows, complete with the ability to render out DPX files at full 4:4:4 2K quality.Note: You must have an Apple ID and a Final Cut Studio serial number in order to download the application update. Requirements: · The standard graphics card in any Mac Pro, 17-inch MacBook Pro, 24-inch iMac, or 2.5GHZ or faster Power Mac G5 Quad. · For 32-bit rendering: a graphics card with at least 256MB of VRAM. · A display with 1680-by-1050 resolution or higher (excluding 20" iMac); dual displays are highly recommended. · A three-button mouse for full functionality. What's New in This Release: · Fixes an issue when the gamma of the monitor was set to 2.2 and wiping between the Still Store and the live footage showed a luminance mismatch of 5 IRE. · Fixes an issue that occurred when the project aspect ratio was different from the clip aspect ratio and a frame was saved to the still store. The difference in aspect ratio would be displayed as gray instead of black. · Fixes an issue where not all the Color FX nodes created in the Color FX Room would load when a project was saved and reopened. · Fixes an issue where disabling the grade of a RED RAW clip would also disable all of the camera metadata that was considered part of the original image. This would make it difficult to see what the colorist had changed when comparing to the original RAW image. · Fixes a situation where a project would not save after being rendered. · Fixes an issue where opening and closing a project without rendering any files would cause some rendered files to become unrendered.


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